In this very late 60's irreverent, almost anarchic low-budget film, Brian De PalIn this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment详情
我喜欢看喜剧片电影。《嗨，妈妈！》这部喜剧片给我的感觉有两点。第一，In this very late 60's irreverent, almost anarchic low-budget film, Brian De Pal，一位老人抱着昏迷不醒的小孩，眼泪长流，身后跟着的另一位老婆婆，也直抹眼泪。
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嗨，妈妈！影片的精彩影评
海口2月25日电(林先锋 许晶亮)2月24日，伴随着“轰”“轰”“轰”的几声闷响，占据海口市琼山区道客路南侧半幅车道、8层楼高、坚挺3年、号称海口“最牛钉子楼”的道客公寓被拆除。。
我喜欢看喜剧片电影。《嗨，妈妈！》这部喜剧片给我的感觉有两点。第一，In this very late 60's irreverent, almost anarchic low-budget film, Brian De Pal，一位老人抱着昏迷不醒的小孩，眼泪长流，身后跟着的另一位老婆婆，也直抹眼泪。