欧洲的某个地方

评分：

0.0很差

分类：剧情片地区：其它年份：1948

主演：Artúr Somlay Miklós Gábor Zsuzsa Bánki

导演：Radványi Géza

更新：2024-03-15

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the street

立即播放打赏

排序

播放地址

暴风快播F

HD中字

欧洲的某个地方剧情简介

欧洲的某个地方视频本站于2024-03-15 09:03:09收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。

关键词：欧洲的某个地方 thewarends.Inthemidstofruinedcitiesandhousesinthestreets inruralhamlets everywherewherepeopl

Somewhere in the remote region, the war ends. In the midst of ruined cities and Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.详情

常见问题

1、请问哪个平台可以免费在线观看《欧洲的某个地方》?

曲折离奇电影网网友：在线观看地址：http://http://www.qzlqhhmm.com//vodplay/22108-1-1.html

2、《欧洲的某个地方》哪些演员主演的？

网友：主演有Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

3、《欧洲的某个地方》的评价：

侯梅是济南市汇泉小学2015级1班张冰岩的家长,她和儿子是多次参加义卖的资深志愿者了。

欧洲的某个地方影片的精彩影评

林中有虎15分钟前
下午，全国政协十三届二次会议举行小组会议，讨论政府工作报告。！
骑驴的小巴依30分钟前
“20世纪70年代末，中国领导人作出了一个塑造历史的决定，在中国南方建设经济特区，这个决定推进了中国的经济崛起。。
曲折离奇电影网网友40分钟前
据阿富汗帕杰瓦克通讯社报道，穆贾希德当天发表声明称，谈判因涉及敏感问题正在谨慎推进。。
肥肥大叔55分钟前
这彰显了中国制度的优势。。
林中有虎58分钟前
弟子逾千人大师无“独奏”。
点小驸马1个小时前
(央视记者王威)。
王大布3个小时前
观看BIGBANG演唱会时的一番交谈后，丁子高开始为老婆筹备这次的巡演计划。。
花曼楼.QD1天前
侯梅是济南市汇泉小学2015级1班张冰岩的家长,她和儿子是多次参加义卖的资深志愿者了。！
辛老七3天前
下午，全国政协十三届二次会议举行小组会议，讨论政府工作报告。。
我喜欢看剧情片电影。《欧洲的某个地方》这部剧情片给我的感觉有两点。第一，Somewhere in the remote region, the war ends. In the midst of ruined cities and ，下午，全国政协十三届二次会议举行小组会议，讨论政府工作报告。