欧洲的某个地方

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分类：剧情片地区：其它年份：1948

主演：Artúr Somlay Miklós Gábor Zsuzsa Bánki

导演：Radványi Géza

更新：2024-03-15

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the street

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欧洲的某个地方剧情简介

欧洲的某个地方视频本站于2024-03-15 09:03:09收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。

关键词：欧洲的某个地方 thewarends.Inthemidstofruinedcitiesandhousesinthestreets inruralhamlets everywherewherepeopl

Somewhere in the remote region, the war ends. In the midst of ruined cities and Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.详情

常见问题

1、请问哪个平台可以免费在线观看《欧洲的某个地方》?

2025星空影院电影网网友：在线观看地址：http://dy.shtyhj.com/play/22108-1-1.html

2、《欧洲的某个地方》哪些演员主演的？

网友：主演有Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

3、《欧洲的某个地方》的评价：

张永利全国人大代表、西部矿业集团有限公司董事长

欧洲的某个地方影片的精彩影评

善棋15分钟前
追逃工作并不容易，奔波劳累、风餐露宿。！
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李狗剩稀里糊涂的来到大明朝，好家伙，家里家徒四壁，穷的一塌糊涂，在这个万般皆下品的时代，李狗剩决定拿起自己的笔……生活就像一幅画卷，总要徐徐展开，当下的大明朝，有点内忧，有点外患，看这寒门巨擘如何玩转大明！本书开设书友群，喜欢的读者可以来这里多多吐槽。寒门巨擘书友群：562469786。
2025星空影院电影网网友40分钟前
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陈天桥表示：“千里之行始于足下，虽然揭开人类大脑奥秘任重道远，需要几代人甚至更长时间的不懈努力，但是我们已经迈开了扎实的第一步，我们将继续脚踏实地的努力前行。。
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他为改善人民生活夙兴夜寐，为建设社会主义现代化强国尽心竭力。。
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一桩桩心理的犯罪，一种种虚无的犯罪手法，到底谁才是真正的凶手？到底是谁的错？天下之大，到底什么是对什么是错，是人性的扭曲还是上帝出的错........人心的，阴暗面善良面都将在本小说中为您一一展开，不同的手法、不一样的动机，是自杀还是他杀？是仇杀还是情杀....为您展开一个不一样的犯罪世界！。
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云端观月1天前
张永利全国人大代表、西部矿业集团有限公司董事长！
小飞飞飞飞机3天前
追逃工作并不容易，奔波劳累、风餐露宿。。
我喜欢看剧情片电影。《欧洲的某个地方》这部剧情片给我的感觉有两点。第一，Somewhere in the remote region, the war ends. In the midst of ruined cities and ，追逃工作并不容易，奔波劳累、风餐露宿。